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Titre

 

DER HENKER
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Genre Long-métrage

 

Réalisateur Simon AEBY

 

Scénaristes

Susanne FREUND


Statut

En post-production

Producteurs

ALLEGRO FILM (Autriche)
SAMSA FILM / Claude Waringo (Luxembourg)
FILM & MUSIC ENTERTAINMENT (UK)
T & C FILM (Suisse)
HOME RUN PICTURES (Allemagne)
EUROFILM STUDIO (Hongrie)

 

Casting

Nikolaj COSTER-WALDAU
Peter MC DONALD
Anastasia GRIFFITH
Steven BERKHOFF
Lee INGLEBY
Patrick GODFREY
Julie COX
John SHRAPNEL
Eddie MARSAN


 

Générique

Chef opérateur : Vladimir SMUTNY
Ingénieur du son : Colin NICOLSON
Chef décorateur : Christoph KANTER
Chef costumière : Caterina CZEPEK


Synopsis Tyrol, early sixteenth century. The foundlings Martin and Georg are raised by monks and inseparable until the archbishop takes little Georg under his wings. Martin becomes a mercenary and Georg the prior of his childhood`s monestery. Many years later the two friends meet again and Martin, on a short leave from the front-line falls in love with Anna – the daughter of the old executioner and very skilled in medicine – she soon gives birth to his son. He then marries her and settles down. The price he has to pay, however, he now belongs to the "untouchables", like his wife and his only option is to become an executioner himself.

Georg respects Martin´s and Anna´s love. But he doesn't have the courage to openly stand by Martin, who now is treated as an outlaw. Above all, because of Anna, Martin reluctantly arranges himself in his new job. She teaches him medicine and they share thoughts considering people as independent individuals. To Martin secularizing and reformatory individuals or forces are not criminals, but simply god-fearing people thinking differently. Georg, although he shares these thoughts with Martin, realizes that he has to keep them to himself because his benefactor the archbishop considers people who are thinking differently as heretics who must be destroyed. The agreement between the executioner and the prior not to persecute heretics works fine for a while. Martin is first to notice that the catholic church is planning a much more radical campaign, than Georg is willing to admit: the shift from blind faith to individual curiosity endangers the position of the Church, so the prelates abruptly declare that individuality and knowledge in the "wrong" hands is heresy.

The Inquisition crashes down on the sanctuary of the two friends like the Apocalypse. And Martin realizes that his friend Georg can't stand up to the pressure of his "family," the Church. To Martin now the moral hypocrisy of the Church is manifesto and to him Georg's cowardice is inexcusable. Martin helps innocent people to escape and finds out who his father is. He also discovers that Georg, in the meantime his enemy, is his brother, a bastard son of the archbishop like himself. When Georg becomes aware of this, his whole world crumbles. Martin's opposition, on the other hand, becomes all the more uncompromising. Facing death he saves the lives of his son Jakob and his wife Anna. While everyone, who Martin has helped, gather around his grave to pay their last honours to the rebel, Anna and Jakob ride to freedom...




 

 

 

 

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